Each Drip piece has a distinctive drip-shaped base that captures the transition from liquid to solid, combining fluidity with durability. Designed to elevate daily moments, these vessels bring a touch of sensory delight to dining.

The mother moulds are made from beeswax blanks that are repeatedly dipped into hot wax until droplets form naturally on the underside.These droplets, “frozen” into place, now function as stands. Each wax model holds a distinct, fingerprint-like individuality, where the technique is visibly and tangibly embedded into its form.

The mother moulds are made from beeswax blanks that are repeatedly dipped into hot wax until droplets form naturally on the underside.These droplets, “frozen” into place, now function as stands. Each wax model holds a distinct, fingerprint-like individuality, where the technique is visibly and tangibly embedded into its form.

Each Drip piece has a distinctive drip-shaped base that captures the transition from liquid to solid, combining fluidity with durability. Designed to elevate daily moments, these vessels bring a touch of sensory delight to dining.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Each form begins as a small hand-drawn sketch before being modelled in beeswax, then converted into a negative plaster mould. Limoges porcelain is then poured into the mould. The result of this serial production process is a collection of slender, sharply defined vessels.

Form Alphabet creates a structured field of serialised shapes in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the forms exist as a sculpture first and foremost and are rooted in explorations of three-dimensionality, colour and semantic play.

Feld’s initial shape is based on beeswax models of grain spikes that extend in different directions to form functional objects. The Grain Cups, made from fragments of Feld, are infused with varying amounts of iron oxide, creating colour gradients reminiscent of beeswax. They are produced as limited-edition sets of thirty, each containing five cups. Every set comes with a stamped and signed certificate of authenticity indicating its edition number.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.

Form Alphabet creates a structured field of iterated forms in which language unfolds through a playful, concise approach. Inspired by pictograms and the communicative power of visual symbols, the objects exist first and foremost as sculptures and are rooted in explorations of form, colour, and semantic play. When filled with water to add a flower, the object transforms into a vase.

Each piece is modelled in beeswax, slip-cast in plaster, shaped from porcelain, and fired at high temperatures, where fluid material turns into solid, enduring matter. The result of this process is a collection of ten limited-edition pieces in varying colours. Every object comes with a stamped and signed certificate of authenticity including its edition number.